Showing posts with label Interviews. Show all posts
Showing posts with label Interviews. Show all posts

Monday, August 13, 2012

Sarah Newton Interview, Part II

Today, FATE SF is pleased to present the second half of our interview with SF novelist and RPG designer Sarah Newton. In the first half of the interview, Sarah and I talked about many things, including her early gaming experiences and the influence of Cordwainer Smith as an influence on the Mindjammer setting. We'll resume the interview by exploring other influences on Mindjammer, and then dig deeper into a few of Sarah's other projects, including "Chronicles of the Future Earth." 

This past week, I have also been enjoying the first installment of Sarah Newton's new WW II Call of Cthulhu  series of adventures called Achtung! Cthulhu. It is one of the first offerings in Chris Birch's (yes, that's Starblazer Adventures' own Chris Birch) Modiphius imprint for RPGs. More on Achtung! Cthulhu below!


FATE SF: Were there any other books, anime, or films that were particular influences on the Mindjammer RPG?

Olaf Stapledon
http://philosophyofscienceportal.blogspot.com/2012/
07/commonwealth-of-worlds-and-olaf.html
 
SARAH: Gosh... Where to start? I should definitely cite all the cool modern science-fiction writers of the early 21st century – I love the works of Iain Banks, Peter Hamilton, Dan Simmons, and many, many more. I’ve already mentioned Olaf Stapledon – his “Star Maker” is perhaps the most profoundly moving piece of science-fiction that I've ever read, and is so mind-blowingly transhuman...

Also, recent breakthroughs in physics – membrane theory, the intelligent universe theory, Kurzweil, the Singularity – all of these concepts are only just beginning to be expressed in roleplaying. I found myself a bit frustrated before writing Mindjammer that it was hard to find a science-fiction roleplaying game which wasn’t rooted very much in the popular scifi of the 70s and 80s. Science-fiction has changed massively in the aftermath of Blade Runner and cyberpunk, and in Mindjammer I wanted to write a roleplaying game setting where you could really riff off modern science-fiction’s truly awesome concepts.

FATE SF: I also have your Basic Role Playing “Chronicles of the Future Earth: Science-Fantasy Roleplaying in Earth’s Far Future.”  Can you talk a little about the setting – your goals with it and your inspirations? It has a very Gene Wolfe feel to me. Were there other influences that were important to you?

SARAH: As a kid I grew up with the artwork of Bruce Pennington. He did the wonderful, almost spooky covers for the John Carter novels in the 70s, the Dune books, and many more. I got a New English Library copy of M. John Harrison’s “The Pastel City” in my early teens – actually I found it in a crate of my dad’s books in the attic – and Pennington’s cover absolutely enchanted me. Again the sense of strangeness, of impossibly far future civilizations where everything is different, where technology is almost magical, where everywhere you look there is a ruin or forgotten relic of the past... For years I tried to pin down the world which Pennington’s covers seemed to be suggesting in my mind – and then, in the late nineties, I started to write it down.

Cover by Bruce Pennington
Cover by Bruce Pennington

I started with this concept: “the Post-Historical Age”. In other words, in all the ages of our planet, that a time would come when so much had happened, when so much history had passed, that the vast bulk of it had been lost, forgotten, and was impossible for any single human to grasp. And that people would think: there’s nothing new in the world, everything has been done, already thought of, already invented, all the questions have been answered. That was the world which Pennington’s paintings suggested to me; a mysterious world, so old it had forgotten how it had come into existence, drifting along in a strange, dreamlike future, surrounded by ruins.



I wrote the Chronicles of Future Earth setting first for 3rd edition Dungeons and Dragons, and played it for about a year; then, I began to realize that I needed something more flexible, as the technological side of the setting demanded more. I rewrote the setting for Basic Roleplaying, which was a perfect fit, and contacted Chaosium to see if they would be interested in publishing it. To my delight, they said yes!

A lot of people have called The Chronicles of Future Earth a “Dying Earth” setting. Of course it has many resonances with works by writers like Gene Wolfe, Jack Vance, Clarke Ashton Smith, and so on, but to be honest its more of a “Dying Humanity” setting – the Earth itself is still fine, but it’s humankind itself which is dying and decaying. And that’s the crux of the setting: something wonderful and terrible is about to happen in the Springtide Civilizations of Future Earth, and the Chronicles themselves are the story of whether or not humankind can rise to the challenge and revitalize itself once more, or whether it will succumb and drift into oblivion. I’m hoping we can all answer that question by playing the setting!

FATE SF: Is there more to come for this setting?

SARAH: Definitely! Right now I’m writing the first novel in the Chronicles of Future Earth setting, called “The Worm Within” – it deals with the events following the mini-campaign in the Chronicles RPG core book. That’s due for publication by Chaosium in 2013. At the same time, I’m working on the Chronicles of Future Earth Player’s Guide. This one is a pleasure to write. When I first wrote the manuscript for the first Chronicles supplement, I wrote over 200,000 words; the final manuscript published was about 36,000. That’s a huge reduction, and people have commented that it felt it should be much bigger. At the time Chaosium didn't know if there was an appetite for more Chronicles material – happily it seems there is, and I’m delighted to be working on a full-blown player’s guide. This one will be about twice as long as the current core book, and will be focused on everything you need as a Chronicles player – details of all the major cultures of the Venerable Autocracy, the major friendly jeniri and esteri races, the temples of the Gods of the Great Compact, and heaps of maps, histories, and background material. I’m hoping that will see the light of day during 2013. And, after that... well, after those first 200,000 words, I've been writing lots more...

FATE SF: Perhaps I am hallucinating this, but is there a connection between the two settings? I couldn’t find the reference tonight, but I could swear I read somewhere in “Chronicles” that the Urth of the setting was once part of a Commonality of worlds, a term that is also used in Mindjammer. Is Chronicles set far after the collapse of a transhumanist interstellar civilization?

SARAH: Ahhh... Wonderfully well-spotted! Let’s put it this way: when I wrote the huge backstory to the Chronicles of Future Earth setting, I got to wondering what that Commonality of Worlds must have looked like – that exceptional, almost utopian far-future civilization which fell, or destroyed itself, in a battle for the future of humankind which gave birth, over tens of millennia, to the Springtide Civilizations. And out of that wondering came Mindjammer.

So, are the Chronicles the far future of Mindjammer? To tell the truth, I don’t really know. It kind of depends on whether the “many worlds” theory is true or not. I would say the Chronicles are perhaps the possible future of Mindjammer – but so much still remains up for grabs. If we don’t play the Mindjammer setting right, then maybe it does end up in the Venerable Autocracy.

Incidentally, there is a third setting. It sits between the two, during what the Chronicles call the “Great Cataclysm”, or the “Armageddon of the Gods”. It’s an insane, apocalyptic, techno-fantastic setting where science-fiction and fantasy meet head-on. The holy book of the Chronicles setting which tells the tales of this mythical period gives the setting its name – “The Helemoriad”. One day I’ll find the ruleset for writing that...

And don’t get me started on the Third Age of Space – what happens after the Chronicles setting. I’ve only glimpsed that a few times in some seriously weird dreams... J

FATE SF: So what new projects are you working on now? I believe I saw on your blog that you are working on supplements for Leagues of Adventure, the newest Ubiquity system RPG from Triple Ace Games. I thought their first Ubiquity game, All for One: Regime Diabolique was a fantastic Three Musketeers RPG. I have run this a number of times at cons, and the players had a blast every time! Have you had much opportunity to run Leagues yet?

Art by Dim Martin
http://www.achtungcthulhu.com/
SARAH: I love to keep busy – and I certainly am at the moment! In addition to working on Mindjammer and Chronicles, I’m also writing a series of World War Two Call of Cthulhu adventures forming a campaign called “Zero Point”, for the “Achtung! Cthulhu” setting published by Chris Birch’s new imprint Modiphius.

That’s a truly awesome opportunity – I started writing fiction in a Cthulhoid World War Two a couple of years ago, and Chris and I dreamed up the setting in one of the madly creative Skype sessions we do on occasion. Chris wanted to write a FATE-based World War Two setting; I wanted to write something inspired by the so-called “Legend” of Nazi occult science which led to the Roswell story.

Out of that collision came Achtung! Cthulhu and the Zero Point campaign. The first adventure, “Three Kings”, came out in May, and I’ve just finished up the second adventure “Heroes of the Sea”, this last week, which should be out in a month or two. It’s awesome fun to write.

And then – yes, Leagues of Adventure. I’ve worked with Wiggy from Triple Ace before – I developed and edited his Avalon Somerset sourcebook for Cthulhu Britannica – and together with Rob Elliot of Triple Ace we’re regular compatriots at conventions, GenCon, etc. I love their products – Hellfrost is an awesome setting, Wonderland No More, Sundered Skies, All For One, beautifully produced and just wonderful games. So, when I heard they were working on a Victorian era RPG I was very excited – I’m a huge fan of 19th century literature and science-fiction, but had never found a Victorian era RPG which “clicked” with me – something with that rich real world historical background, but loosened up to let the extravagances of Jules Verne, HG Wells, etc, be real. Leagues of Adventure does that perfectly, so when the opportunity to write for it came up I jumped at the chance!

So I’ve been playing a lot of Leagues of Adventure lately! It’s a lovely game – the Ubiquity rules are a perfect fit, neither too heavy nor too light, with just enough crunch to keep the steampunk-ish technology anchored, and just enough narrative flair to let you really ham it up with your best Victorian accents! I’m writing a series of four adventures forming a campaign called “The Great Game”, which I’ll say no more about at the moment except to say that they’re rip-roaring adventure in true Vernian and Wellsian fashion – and they have a transhuman element, too. But that’s just me. J

FATE SF: My next to last question comes from a friend who is involved with the old School Renaissance and wants to get his toes wet with new games published in the last 20 years. What kinds of RPGs do you think would give a good introduction to the range of mechanics, settings, and play styles available to gamers today?

SARAH: Good question! And a tough one! I’m going to be pretty brutal, and recommend just four systems – there are so many cool games out there, it’s impossible to list them all, but these four encapsulate some of the coolest developments in RPGs of the past ten years or so, in my opinion. So, first I’d definitely look at FATE – any incarnation, Legends of Anglerre for fantasy, Mindjammer for science-fiction, Spirit of the Century or Kerberos Club for Victorian, Dresden Files for modern urban fantasy.

FATE would be my first recommendation – it’s all that’s good and great in RPG development in the new millennium. Then I’d recommend HeroQuest 2 – perhaps the epitome of storytelling games, it’s very different in philosophy from most RPGs, and totally worth getting your head round. I love the way the players play against the story rather than against non-player characters, and the narrative to-and-fro that entails. Definitely one to look at. Third I’d look at the new RuneQuest – and this because it’s the latest incarnation of the D100 system, and from what I’m seeing is an organic yet very inspired evolution of a system that’s been around for thirty years. It takes a tried and tested system, and infuses it with the modern RPG ethos.

And, lastly, I’d recommend the Marvel Heroic Roleplaying game; this is actually a game I haven’t played yet, and only have in PDF, but I’ve been very impressed with what I’ve read. It’s a very crunchy system, but stands somewhere on the FATE spectrum in its gaming philosophy, and is an exceptional system for showing just how sophisticated dice rolling mechanics have become. As soon as I can get a hard copy here in France I’m running it!

FATE SF: Finally, I wonder if you would be willing to comment on the following question: do you believe people who write games have a responsibility to be socially engaged?  I am thinking of recent controversies – particularly in Old School Renaissance gaming circles – about subjects like the supposed “neutrality” of depicting sexual assault in RPGs. I’m not going to ask you to weigh in on that debate specifically, although you are certainly welcome to do so here if you like. But I AM interested in questions like this: in a world where we are seeing a huge polarization in wealth, and where the environment is undergoing rapid and potentially irreversible changes , do SF game designers have a responsibility to engage with these issues? And if so, how?

SARAH: I have two answers to that question. First, no, I don’t believe game designers must engage with issues of this nature. After all, people play games for enjoyment, for socializing, to escape into a simpler cosmos where the great questions of the world are often black and white and can be readily resolved. In that respect, that kind of gaming isn’t the place for dealing with thorny moral issues – it’s about fun and relaxation.

My second answer is: as a writer, personally, I find it impossible not to let my world view infuse my writing. I’m a political animal, I love technology, conspiracy theories, and reading and thinking things which blow my mind, and I love to write about that stuff. So, I don’t feel a responsibility to write about the issues which I’m passionate about – but I’d find it hard not to! Without wanting to get heavily philosophical, I think roleplaying games are perhaps the greatest forum for collective creativity I’ve ever come across, and have molded my life and continue to shape my thoughts today – so I’m always keen to bring issues and ideas which are occupying my mind to the table and see how we all wring them out in play. I think that’s an immensely enriching experience – and awesome fun at the same time!

And, lastly, in relation to that, I think it’s also clear that the ideas we hammer out and the stories we create at the gaming table do make their way into the social “collective consciousness”. There are more gamers than ever these days – not just tabletop, but online, MMORG, console RPG, what have you. And gamers are cropping up everywhere – writing fiction, making movies, even cropping up in politics and business. We’re a legion of dice-rolling starry-eyed wonderers, and in that respect the stories we tell one another are awesome forums for roleplaying huge issues to their resolutions. I remember the 80s movie “Wargames” said “the only way to win is not to play”; well, I think we’ve disproved that one – maybe the only way to resolve the really knotty questions of life is to play.

Happy gaming – and thanks very much for letting me appear on FATE SF! J

Sarah

FATE SF: Thank you, Sarah!


Here is contact information for Sarah Newton, as well as links for Mindjammer the RPG and the novel!

Sarah Newton (website: http://sarahnewtonwriter.com)
Facebook: http://www.facebook.com/ShairaSu / Twitter: @SarahJNewton

Find out more about Mindjammer at http://www.mindjammer.com

You can buy the Mindjammer novel in Kindle and trade paperback format at Amazon:
http://www.amazon.com/Mindjammer-Sarah-Newton/dp/147834802X/ref=sr_1_3?ie=UTF8&qid=1344597683&sr=8-3&keywords=mindjammer

and 

CreateSpace (https://www.createspace.com/3953945).

Friday, August 10, 2012

Interview With Sarah Newton, Part I

Today we begin something very special for readers of FATE SF: the first part of our feature interview with SF author and RPG designer Sarah Newton, the creator of the FATE-based RPG setting and novel Mindjammer! 

This has been a big, big week for Sarah, with the launch of the Mindjammer Press and the re-launch of her transhuman SF novel Mindjammer in both print and electronic formats!

At the end of Part I of this interview, you'll discover all the details on how to contact Sarah, learn more about the Mindjammer universe, order the Mindjammer novel - and more!

Sarah Newton

Sarah is a writer of science-fiction and fantasy roleplaying games and fiction, including the transhuman space opera novel "Mindjammer", and the ENnie Award-winning RPG setting of the same name; the techno-fantasy RPG setting “The Chronicles of Future Earth”; and the “Legends of Anglerre” roleplaying game. She’s currently writing “Zero Point”, a series of globe-spanning World War 2 adventures for the “Achtung! Cthulhu” RPG setting, published by Modiphius; the “Great Game” campaign for the Steampunk “Leagues of Adventure” RPG from Triple Ace Games; and  “The Worm Within”, the first “Chronicles of Future Earth” novel, to be published by Chaosium, Inc, in 2013. She lives in a field in rural France, surrounded by numerous farmyard animals.


FATE SF:  Welcome to FATE SF, Sarah!  So, to get us started, what was your first gaming experience? What did you experience first as a player? What did you run as a GM? 

SARAH: Thanks very much for having me, John! And thanks too for maintaining FATE SF – this is a great site!

Art by Liz Danforth
My first gaming experience was way back in 1980, on the very last day of my first year at high school. I guess I was about 11, maybe just turned 12. It was “games day” – you got to take your toys and games to school for the last day of the year – and one kid had a copy of the brand new Advanced D&D Players Handbook – the softback edition. I remember seeing the dungeon map on the back page and being absolutely mesmerized – I was already a fan of Tolkien, John Carter, Earthsea, and so on, and the idea that you could actually play a game set in those worlds just blew me away.

I went straight home that day with a catalogue the kid gave me for “Games of Liverpool” and ordered “Buffalo Castle”, the solitaire dungeon for Tunnels and Trolls. I had no idea you needed a separate rulesbook to play it, so when it came I just kinda made up my own rules. I played the heck out of that little pink booklet! Then I went on to try writing a couple of my own, using my dad’s “Brother” typewriter. It was only when I went back to school in the fall I realized you could also play RPGs with other people! I picked up Metamorphosis Alpha, Traveller, and eventually white box D&D. By then I guess I was already a dyed-in-the-wool GM, and ran tons of sessions.

My first experience of playing RPGs was with AD&D – I had two characters, Meriosan the Giant Slayer, a paladin, and Oliosar the Thief. An unlikely combo! We played the whole of the G-D-Q series, over the course of maybe three months, including a snowbound Christmas. I had a blast – and boy did we ever kill that Lolth!

FATE SF: What kinds of RPGs do you enjoy the most? Are there particular systems that you think play to your own tastes and interests as a player and GM? Which ones?

SARAH: I like all kinds of stuff. For many years I GMed RuneQuest almost exclusively—the Chaosium version, second and third edition—and I still have a soft spot for Glorantha as a setting and the D100 system. About 10, 15 years ago, though, I found myself getting into a bit of a rut with my GMing – I was overscripting scenarios, and getting frustrated when players went “off story”. I didn’t realize myself what the problem was, until I discovered the “new generation” of narrative RPGs, and HeroQuest (then Hero Wars) and FATE games like Spirit of the Century and Starblazer Adventures some years after. Their less rigid approach to plotting, their emphasis on saying “yes” to player narration, and their use of really cool mechanics to cater for story-based events, all absolutely revolutionized how I viewed RPGs.

These days, I love sitting down to a table and having no idea how the session is going to play out. I enjoy prepping games, but these days I take huge care to make sure the players don’t feel constrained by a fixed plot, and that I have plenty of support for winging it and coming up with events on the fly. I find that very liberating, and I’m always open to new RPG mechanics these days, looking out for the next revolutionary breakthrough. Sometimes it’s good to remind ourselves that roleplaying is a relatively new hobby, and we’re just emerging from the Model-T Ford, “you can have any color you like as long as it’s black”, stage of our hobby. Huge amounts of cool stuff await!

So, these days I still play D100 – Call of Cthulhu, the new RuneQuest 6, and Chaosium’s BRP with my “Chronicles of Future Earth” setting.

But I also play a heckuva lot of FATE – I’d say that’s my go-to system these days – and a very respectable amount of HeroQuest 2nd edition.

Recently I've also discovered Leagues of Adventure by Triple Ace Games, which is the first Victorian era RPG I’ve really warmed to. It’s very Wells-ian, and uses the Ubiquity system, which I’m finding very light, refreshing, and with some very cool quirks and side effects.


FATE SF: I noticed on your Meme Machine blog that you recently received a copy of RuneQuest 6. Now that you’ve had it for a few weeks, what do you think of it?

SARAH: It’s awesome, it really is. I haven’t received my hard copy yet, so I’m still reading the PDF and haven’t played it, but I love what I’m seeing.

When RuneQuest was “reborn” a few years back under its Mongoose incarnation, I was a bit disappointed to see that the rules system hadn’t had the radical overhaul it really needed to incorporate all the cool developments of the past ten years and the revolutionary breakthroughs which the HeroQuest system had brought to Glorantha. Lawrence Whitaker, Pete Nash, and friends have done a splendid job of bringing the rules into the 21st century—there are all kinds of neat modern mechanics, providing for cool tactical play as well as narrative features. I’m really looking forwards to playing it.

FATE SF: How did you first get involved in playing and writing for FATE?

SARAH: That’s all down to Mindjammer, my far future transhuman space opera setting. I’d been thinking about the setting for a couple of years, and had already put down some ideas for an RPG book. First I’d been trying to use an updated version of FGU’s Space Opera rules, which I still love; then I’d been trying to fit it to BRP, which would obviously make a really cool science-fiction ruleset (I’m still a proud owner of the Ringworld RPG, a thing of beauty!).

But neither ruleset really did what I wanted – I was looking for something which could model the massive cultural conflicts of the Mindjammer setting in a cool and action-packed way. I wanted players to be able to play out the large scale conflicts between cultures, but also to play individual characters – culture agents, if you will – performing missions which would themselves affect, modify, and “attack” those big cultures. In other words, a small scale (character) affecting a large scale (culture). Psy-ops, that kind of thing.

Then, one day in late 2008, I stumbled upon Spirit of the Century on DriveThru. Holy cow, I thought – this is an amazing system! If only there was a scifi version!

And there it was – only in PDF at the time, but StarblazerAdventures, written by Chris Birch and published by Cubicle 7, contained absolutely everything I needed. Not only a really inspiring piece of narrative rules in the FATE system, but also a great extrapolation of the “FATE fractal” into the scifi space, with characters, planets, starships, and organizations—I had the solution to my “cultural conflict” question right there.

I contacted Chris and Angus at Cubicle 7 within a week of grabbing Starblazer, and they were very interested in publishing Mindjammer as a setting. Still the most amazing piece of synchronicity and serendipity, and it still fills me with glee.

FATE SF: So let’s talk about Mindjammer. It is one of the very few transhuman SF RPGs out there. How do you define transhumanism?

SARAH: I’m with Nietzsche on this one: “humankind is something which must be overcome”. We’re a bunch of mad monkeys walking on the moon, inventing virtual realities, fiddling with our genes, and generally doing all kinds of incredible stuff in spite of our violent animal natures. We have one hand with its knuckles dragging on the floor, red with blood, and another reaching for the stars. It’s amazing we’ve got this far – and inspiring that we continue to succeed. But it’s obvious that as a species we’re transitional – already we’re starting to modify ourselves to be more fit for purpose. We need better brains, better bodies, longer lives, if we’re really going to fulfill the potential of the minds which evolution has seen fit to gift us with. And I think it’s so cool to be actually aware of that process.

So, transhumanism for me is a gift: it’s a mind-set which allows us to responsibly and sensibly try to decide what kind of species we want to become in the future, and then try and map out a path to get there. I can’t think of a project facing humankind that’s more exciting – and it’s an awesomely fruitful concept for roleplaying!

FATE SF: I have the first edition of Mindjammer, and I have been looking forward to the second edition of the game. The cover art is quite astounding. Is the second edition still coming out? What are your plans for it?

SARAH: Mindjammer second edition is definitely coming out – I’m writing it as we speak! After Mindjammer first edition won the ENnie back in 2010, Cubicle 7 wanted to release all the new supplements with new and original artwork. This was a wonderful opportunity, but unfortunately it set back the production schedule hugely, which was frustrating – and I’d like to apologize to all the fans out there for the delays. In the meantime I was able to release the Mindjammer novel, and also to playtest the adventures from the Mindjammer Adventures supplement at GenCon last year, but as the delays mounted I decided finally to take the setting “in-house”, so to speak.

So, this summer I’m shortly going to be announcing the formation of “Mindjammer Press”, a new imprint specifically dedicated to producing and publishing material, both RPG and fiction, for the Mindjammer setting. It’s a very exciting venture—the first publication is going to be a relaunch of the Mindjammer novel over the summer, followed by Mindjammer second edition early in 2013, and then a steady release of four supplements a year thereafter.

The new edition is going to be completely compatible with the new FATE 3 Core, published by Evil Hat – that’s one of the reasons for the timing right now, as the FATE Core is due for release very shortly. We’re in talks with Evil Hat at the moment about whether to release Mindjammer 2nd edition as a standalone game, or as a supplement to the FATE Core book, but whichever we choose, the game itself will contain oodles of new material, including new rules for starships, planets, cultures, organizations, and of course the Mindscape. It will also contain loads of new setting material, maps, technology, and more. 2013 looks to be a great year for Mindjammer!

FATE SF: While we’re at it, do you have a sense of what is going on with Starblazer Adventures’ second edition, and supplements such as The Planet Killers?

SARAH: Unfortunately not – my last contract with Cubicle 7 finished just after Christmas 2011, so I’m afraid I can’t shed any light on their production schedules at the moment. I wrote the Starblazer 2nd edition player’s guide a couple of years ago, and I believe it’s still in the queue, but beyond that I can’t say. I look forwards to seeing the new edition when it’s ready!

FATE SF: You also published a novel set in the world of Mindjammer. Can you tell us a bit about the book?

SARAH: I’ve been absolutely delighted with how the Mindjammer novel has been received – it’s been really inspiring to hear from people who’ve read and enjoyed it. It’s a very action-packed tale, true to the roleplaying setting in style and atmosphere, but at the same time it tries to say something significant about what it means to be human—the essence of transhumanism. It’s set in a cluster of worlds called Solenine, on the edge of Commonality space—a “lost colony” which has recently been rediscovered by the Commonality and is in the throes of tumultuous culture shock. The heroes are a group of “culture agents” working for SCI Force—the Commonality’s Security and Cultural Integrity Instrumentality—who stumble upon a conspiracy of interstellar proportions. I won’t say any more, except to say that what they find has implications not just for the Solenine Cluster but for the whole human race – it’s transhuman space opera on a big scale!

I had a blast writing the novel – it was something which had been fermenting in my mind for a couple of years. It’s the first of three novels, forming a trilogy story arc—although you can read “Mindjammer” as a standalone story, the second novel, “Transcendence”, which I’m writing at the moment, continues the saga of the heroes of the first. That’s scheduled for release in 2013, again by Mindjammer Press.

You can find out loads more about the novel and the setting at www.mindjammer.com, including snippets of me reading from chapter one, and sample chapters.

FATE SF: I noticed that the future interstellar setting of Mindjammer includes government ministries called “Instrumentalities”. Was Cordwainer Smith with his "The Instrumentalities of Mankind" an influence on the setting you created? A favorite author?

SARAH: Well-spotted! Cordwainer Smith is one of my all-time favorite science-fiction authors, and the “instrumentalities” are a tip of the hat to his genius. He’s a fascinating character – the “father” of modern psychological warfare, a Christian, a profound scholar of Chinese culture, and a wonderfully lyrical and imaginative writer of what we now call “science-fiction”.


Together with Olaf Stapledon, to me he’s one of the few writers who really conveys just how strange the future is going to be. Science-fiction shouldn’t be about 21st century people in the far future, with 21st century attitudes, behaviors, and ideas; it should be about what the people of the far future are going to be like – what people are going to become, to evolve into. We’re back to transhumanism again – and I’d consider Cordwainer Smith to be one of transhumanism’s most poetic and inspirational proponents. If anyone out there hasn’t read him, I strongly recommend his work!



Please come back on Monday for Part II of our interview with Sarah!


Here is contact information for Sarah Newton, as well as links for Mindjammer the RPG and the novel!

Sarah Newton (website: http://sarahnewtonwriter.com)
Facebook: http://www.facebook.com/ShairaSu / Twitter: @SarahJNewton

Find out more about Mindjammer at http://www.mindjammer.com

You can buy the Mindjammer novel in Kindle and trade paperback format at Amazon:
http://www.amazon.com/Mindjammer-Sarah-Newton/dp/147834802X/ref=sr_1_3?ie=UTF8&qid=1344597683&sr=8-3&keywords=mindjammer

and 

CreateSpace (https://www.createspace.com/3953945).